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LINTD

@lintd-uk

LINTD and collaborated with vanguards of the Northern experimental scene such as Space Afrika, 96 Back, Iceboy Violet, Balraj Samrai (Swing Ting), and Porter Brook. Through music, films, live events, installation and research, LINTD speculate worlds where the marginalized feel comfortable to be their full, emancipated selves....

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LINTD and collaborated with vanguards of the Northern experimental scene such as Space Afrika, 96 Back, Iceboy Violet, Balraj Samrai (Swing Ting), and Porter Brook. Through music, films, live events, installation and research, LINTD speculate worlds where the marginalized feel comfortable to be their full, emancipated selves. Often, these worlds are spectacular, always they are true. DOGTOOTH is the debut album from LINTD, a haunting reclamation of the Black African macabre as an utopian space, where pain, joy, paranoia and pleasure is explored with equal and seamless ferocity. Set to be released on UK label Head II on Friday the 13th of June, the record features contributions from Joshua Inyang (Space Afrika), Porter Brook, Chande & Fyn Dobson (Drummer & collaborator with Loraine James). DOGTOOTH is act II of The Black Impossible, a three part collaborative project with Sheffield producer Porter Brook, where the two explore the extremities of black sound as utopian technology. Act I, SMOOCH SOUNDSYSTEM (LINTD & Porter Brook first EP) laid the foundation of the project with a tense celebration of hope, Act II, DOGTOOTH, descend into something darker, exploring the terrain of black anxiety "This is the world as I experience it. Teeming with violence and threat against my being, but full of possibility. And it could all be in my head, but the darker reality, the grimm possibility that I find so thrilling and pleasurable, is that it could also all be true.” LINTD regularly produces these spaces in some of the UK’s most renowned underground arts venues, such as The White Hotel, Venue MOT, Spanners, Avalon Cafe, Camden Arts Centre and Peckham audio. LINTD has been recently selected as artist-in-residence for projects with Manchester Collective, PRS New Music Biennial, Complicité theatre and Opera North and has created installations for organisations like Factory International (Aviva Studios) and Asaabako festival in Ghana. Last year, he debuted his self-directed multimedia piece Concrete, for the Southbank Centre in London with Factory International, curated by veteran photographer Misan Harriman. Through his practice, LINTD has connected with relentless innovators of black experimental music around the globe and supported the likes of Gavsborg (Equiknoxxx), Le Diouck & Lonnie Holly during their UK tour. With a unique Nigerian-speculative approach, LINTD is shaping new possibilities for the black experimental scene.

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