Ratz Festival

Andy Martin

Bambi (Menage a Trois)

Fasme

Flo Massé

DJ Flo Massé, now based in Barcelona, has carved out a distinctive niche in the international electronic music scene with her impeccable vinyl selections and electrifying mixes. Often hailed as the "trance queen" from Brazil, Flo has graced the decks at prestigious parties and festivals across the world. Her notable performances include appearances at Dimensions Festival (Croatia), Gottwood (Wales), Breakfast Club (Amsterdam), Hoppetosse (Berlin), Paradigm Festival (Groningen), Delta Festival (Marseille), and Closer (Kyiv), among many others. Since her Boiler Room set in 2022, her tour schedule has seen a meteoric rise, and she embarked on her first Australia and Asia tour in September 2024. As a drummer, Flo Massé channels the rhythmic intensity and relentless groove of her percussion background into her DJ sets. On stage, she weaves together progressive house and trance, acid, and electro, creating captivating and energetic performances that leave a lasting impression on every audience. She was recognized by Trommel as one of the 12 must-see artists on the rise for their New Year’s 2024 resolutions. In 2025, Flo found continuity in the Alto Artists roster alongside rising stars such as Admo, Lamalice, Massai and Belabbas.

Forest

Gaspard Magda

Hicham

Former guitar player of Chemical Bliss, a moroccan electronic-rapcore band, Hicham has more than 13 years of guitar experience, sharing the stage with artists like Sting, BB King, Santana, Sepultura, The Exploited and more others... Since he left Morocco, he felt in love with electronic music production, being impressed by how technolgy evolved those last decades, so France and especially Paris was the right place for him to find inspiration, making music with all his past influences, including moroccan-roots music, and modern electronic processes as he discovered the german influence in techno and deep house in Europe. Mainly playing in private events for the moment, his next EP "Chasing Dreams" will be released in 2016, followed by a small clubs tour in Morocco and France to find more public and make people dance as he always wanted to.

Inner Lakes

euphoria & introspection

Marco Shuttle

Marco Shuttle has always achieved a lot with a little, and that is the singular aesthetic that stands him apart. His cinematic techno sounds are unusually organic: they build pressure in subtle ways and his meticulous grooves never fail to take listeners on a trip to somewhere new and exciting. As a result of this, he has become a firm favourite amongst the techno cognoscenti and has released on some of the most revered labels of the day, from famed New York club The Bunker’s new label to Peter van Hoesen’s untouchable Time To Express via Clone SOS and his regular home, Eerie Records. Italian born but London based, where he also gained his MA in Fashion at St Martin’s. What ties his creative work together is a focus on abstract yet organic texture and the same thing defines his tightly woven DJ sets from fabric to Berghain to Labyrinth in Japan. His eclectic cerebral sound takes cues from jazz and musique concrete as much as it does from acid house and Detroit techno. Early breakout records like his 'The Vox Attitude' have been followed up with great abstract outings on Clone and remixes for Third Side, whilst the future promises a collaboration with compatriot and fellow producer and friend Donato Dozzy as Anxur. It will land on Eerie, Marco’s own well-formed label and is sure to be another supple and succulent offering that proves Marco Shuttle to be a uniquely minded techno troubadour.

Margaux Gazur

She studied classical piano at the Conservatoire. Over time, she became increasingly interested in the possibilities of unconventional sound sources and started to incorporate these into her compositions. Experimenting with sonic memories, everyday objects and sounds from surrounding environments allow her to create music that is both deeply personal and universally resonant. Margaux Gazur started to work with field recording to capture her daily life in Hanoi as a sonic memory. She has been composing soundscapes for her dad’s martial art videos, using recordings from those sessions, including the sounds of traditional martial art weapons and instruments used for celebrations. She then expanded this approach to her own projects. In her recent work, she has been exploring the sounds of various acoustic instruments, moving away from the traditional music theory. She uses the instruments as an experiential medium, focusing on the diverse sounds and emotions they can produce. Her love for organic sound pushes her to constantly engage her sonic surroundings, seeking out new sources of inspiration and experimenting with different techniques.

Onur Özer

P.O (1)

Taret

Théo Muller