Iberia Eclipse Festival 2026

Acid Pauli

Berlin-based DJ and producer (Martin Gretschmann) known for eccentric, psychedelic, and slow-burning electronic sets.

ANNA

Brazilian DJ and producer known for powerful, driving techno and an energetic command of the dance floor on her Tronic label and beyond.

Cinthie

Berlin-based DJ, producer, and label owner known for her raw, classic 90s-inspired house sound.

Deer Jade

DJ Nobu

Japanese techno DJ and producer, founder of the Bitta label and the Future Terror parties.

DJ Red

Born and raised in Italy, Dj Red is a key figure of the Roman techno scene. Resident of the iconic Goa Club and its notorious party Ultrabeat, her contribution has been essential to the development of Rome’s club culture. Constantly travelling among Rome and Berlin over the past two decades, she has built up a unique approach to electronic music both as a producer and a performer. When in the DJ booth, DJ Red fully deploys her eccentric and multifaceted personality. From Berghain, Tresor to Awakenings and Exit Festival, she never fails to deeply connect with her audience. The manic perfection in selecting every single record and the commitment of her daily research makes it impossible not to be dragged by the intense, visionary techno sets. The thriving passion for music blossoms also in her productions. Intertwining dynamic rhythms arising of electronic drums, organic tonalities and esoteric machines, DJ Red gives birth to pitch black, aethereal, aqueous soundscapes that reach the very core of her listeners. Her discography counts releases on labels such as Electric Deluxe, Wolfskuil Records, BPitch Control and remixes from Ricardo Villalobos, Zeitgeber (Speedy J and Lucy) and Stanislav Tolkachev. DJ Red is a shimmering example of techno’s past, present and future -- a voice that continues to evolve alongside the genre she so proudly represents; time after time with each impressive performance.

Eduardo de la Calle

Prolific Spanish electronic music producer known for esoteric and analog techno.

Edward

Fadi Mohem

Lebanese DJ and producer based in Berlin known for deep, raw and hypnotic techno.

Freddy K

Italian DJ and producer known for dark, raw, and relentless techno.

Ignez

His roots are in between dust of sand and waves of salt water. Ignez grew up near the coast of The Netherlands where hypnotizing waves and infinitive dunes shaped his sound. He fled the conservative world by sketching his own reality with these elements of nature. This became inextricably linked within his consciousness and reflects back into his music today, bringing a tight yet indefinable techno sound. He has shaped his own path through his imprint, Somov Records, where he unveiled his distinctive sound and artistic vision for the first time. In addition to his own imprint, he has made an indelible impact on influential labels such as Token and SK_eleven, enchanting audiences worldwide with mesmerizing releases. Notably, Ignez has collaborated with Rødhåd. Together, they have created two EPs that showcase their unique musical synergy. In his DJ sets, Ignez transports the audience into a mesmerizing sonic journey, captivating their senses and lifting the dancefloor to a higher state of being and a collective oceanic feeling. His driving, hypnotic, and minimalistic approach pulls listeners into a magnetic trance, where the pulsating rhythms and ethereal melodies create an immersive sonic experience. His residency at the esteemed underground Eerste Communie has been the cornerstone of his development as a DJ, fostering experience that has grown with him from a young age. From intimate club settings to renowned festivals, his sets evoke a transformative experience, inviting listeners to embark on a sonic odyssey and dive into the depths of his sonic universe.

Kangding Ray

French, Berlin-based producer known for precise, abstract, and industrial-adjacent electronic music on Raster-Noton.

Madmotormiquel

Mathew Jonson

His music offers a rare fusion of populist intensities and nuanced musicality. With a keen understanding for the needs of the dance floor and the universal laws of house and techno, he's thrown out the rule book time and time again, sneaking tricks learned from electro and even drum'n'bass into the clubs, and loading up his B-sides with tracks that do what they damned well please. (No kick drum? No problem.) His standards for sound and presentation are exacting. Both on stage and in the studio, Jonson's fealty to analog equipment and real-time playing; as opposed to mere layback-serves as a standard bearer for a kind of electronic music that goes way beyond the drag 'n' drop world of digital composition. Jonson has always been eager to get his hands dirty, and the music reflects that in gnarled bass sequences and long, intuitive lines. His sounds have serious teeth. Despite his quick ascent through the ranks of the techno elite, Jonson hasn't just stayed personally grounded. He's devoted much of his energy to supporting his own close musical family, in the groups Cobblestone Jazz, Midnight Operator and the Modern Deep Left Quartet, and with his Wagon Repair label. He studied classical piano as a kid, plus jazz drumming, and played drums in a marching band – thus laying both the melodic and the rhythmic cornerstones of his music today. Thanks to his father's work as a musician, he also got his hands on synthesizers at the age of 9. By the time he discovered hip-hop as a young teen, he was recreating its electro-based beats on his own rudimentary setup at home. Jonson gradually began honing in on his own sound, both in his productions and his DJ sets, inspired by a deeper, weirder sound that had begun filtering into the Victoria's techno parties. His first record, in 2001, was the first release on Itiswhatitis (a label Mathew bought from its original owner 11 years later). Another followed in 2002, and in 2003. That year, he also made his first appearance on Perlon, 'Alpine Rocket' – a track he recorded alongside Luciano during his first trip to Europe. And then, suddenly, Jonson was everywhere: Sub Static, Arbutus, Kompakt, M_nus – and every track an anthem. "I had all that music kind of saved up," says Jonson, "and then, just by chance, released it all at the same time. People criticized me for it, said that it wasn't a good idea. But it worked out for me. All the tracks did well. I wasn't saturating the market with bad music." He's right there. In 2005, Jonson co-founded Wagon Repair, and it's been a blur since, a nonstop series of tours and recordings, solo and with his band mates. Crucially, he moved to Berlin. His studio here is jaw-dropping, frankly: a semi-circle full of gear, from old workhorses like the 808 and 909 and SH-101 to unique beasts like their Cwejman and Roland System 100m modular system. Tate's Rhodes piano anchors one corner of the horseshoe, and everything feeds into a massive desk where tracks are mixed and recorded in real-time. His two hands have come up with some remarkable material. Having perfected his brand of earthshaking epic with tracks like 'Marionette' and ‘Decompression’, Jonson has increasingly turned his efforts towards more personal, introspective music. He never left the clubs behind though; his 2010 album, Agents of Time, featured a number of tracks that are as hip-winding wily as anything he's produced yet, full-on tracks like 'Girls Got Rhythm' and 'Thieves in Digital Land'. Equally physical was his 2011 drop on Hawtin's M_nus, 'Learning To Fly', and the well-received 'Automaton' on Crosstown Rebels. His 2013 album, On Her Blurry Pictures, too; here Jonson took advantage of the long player format to stretch out and indulge darker moods and slower tempos, but the core of the record remained rooted in a dancefloor context. In 2015, Mathew fulfilled his long-standing ambition of contributing to Fabric's esteemed mix series. Fabric84 is a recording of his set at the club's 15th birthday, during which he played a number of his classic tracks and unreleased edits. The energy of the occasion and the particular way Mathew performs his material blend perfectly, capturing a singular and very special set on CD. As well as continuing to tour his in-demand solo live show, which is consistently ranked amongst Resident Advisor's top 20, Mathew has recently remixed Paul St. Hilaire + Rhauder, The Martinez Brothers, Seth Troxler, and VCMG (to add to his past work including Moby, Cybotron, The Chemical Brothers, and Nelly Furtado). He released an album with Units and Measurements in 2016, and another as his new alias Freedom Engine entitled “A Box Full Of Magic” in 2019. Eighteen years on from his debut release, 'New Identity', Mathew's sound and reputation as an artist have developed, as you would expect for someone so richly and widely talented.

Maxime dB

Maxime dB, deeply established in the Parisian music scene, is a passionate vinyl collector and versatile DJ known for seamlessly blending funk, electro, techno and house in his electrifying sets. Born in Paris, Maxime's musical journey has been enriched by globetrotting adventures, shaping his soulful approach to music. From classical piano training to curating his eclectic vinyl collection, music has always been his true passion. With over 13 years of experience, Maxime has honed his unique style—a fusion of modern sophistication with nostalgic grooves from the 80s and 90s.

 In 2022, Maxime launched AirFunk, his brainchild embodying his musical ethos—centered on electronic music with a blend of Pop, French touch, and 2000s electro influences. His performances have graced stages worldwide, from clubs and festivals. Additionally, he ventured into music production in 2020, marking his debut with a release on Rings of Neptune and more recently with the renowned "Tribute to Malibu" and other releases on AirFunk, Velvet Spirit, Pager & Aline Brooklyn records featuring Aline Umber.

Megatronic

Mira

Born in East Germany to a renowned photographer and a classical musician, she began DJing in 1996 and quickly rose to prominence as part of the growing underground techno scene around Leipzig and Halle/Saale. Her dedication to her craft and natural talent swiftly paid off with a series of rapid successes, leading her to substantially shape the electronic music scene of Eastern Germany from that point on. In 2006, Mira moved to Berlin, Europe’s capital of electronic music, where she found her musical home at the legendary Bar25. Situated on the banks of the river Spree with parties that lasted into the middle of the week, Bar25 was the true embodiment of Berlin’s club scene in the 2000s. In the company of notable artists such as Nu, Acid Pauli, Feathered Sun and Christopher Schwarzwälder, a musical language was being formed that looked past the minimal trends of the time towards a more nuanced, organic musical language. It was from this here that Mira rose to fame throughout Europe and the world, as she suddenly became a defining representative of a distinctive sound that was going global. Deep and soulful whilst always maintaining a continuous, sensual groove, Mira’s sprawling, hypnotic sets became the soundtrack for many an endless night at Bar25, Kater Holzig and now, Kater Blau. The centrepiece of Mira’s residencies at these clubs has been her yearly birthday event ‘Katzen Tanzen auf’m Tisch’, which runs for three days straight every December. Curated by Mira from a selection of old friends and new faces, the series has hosted a multitude of then-unknown artists who have now gone on to tour the globe. In 2020, Mira’s birthday series came in the form of a compilation for the first time, showcasing the spirit of her events over 43 original tracks. Also a year-round booker at Kater Blau and curator for the Kater-affiliated label Kiosk I.D., Mira’s fingerprints are all over the sound of the club. In the studio, Mira often collaborates with her partner-in-crime Christopher Schwarzwälder, and the two of them have released a host of chart-topping singles. This partnership has since carried on to dancefloors globally, where their legendary back-to-back sets make for a perfect musical dialogue between the two artists, who share a deep understanding and love of sound. Mira has been at the height of her game for the past twenty years, continuously shaping the sounds around her, and never ceasing to push inspiring new artists. As happy playing in a small underground club in East Germany in the 90s as she is playing to thousands of festival-goers at Burning Man - Mira is one of those artists of whom you can truly say that she’s doing it for the love of the music. Every time a new track by some undiscovered producer falls into her lap is a new moment to fall in love again with her craft, and spread that love with the tens of thousands who hear her play.

Nørbak

Nørbak is a Portuguese techno artist and co-founder of Hayes Collective, known detail-driven sound that bridges classic foundations with modern intensity. With releases on Hayes, Token, and his own NRBK imprint, he has become a regular presence at clubs like Berghain, Basement NY, Lux Frágil, and Gare Porto.

Temudo

As a music producer and DJ, Temudo is part of a new generation of artists whose work relies on the contemporary approach to Techno. His music allies the soul of the genre with a modern methodology, and has the seal of genre defining labels like Klockworks, Soma, Modularz, Mord or Clergy. He’s one of the minds behind Hayes and runs his own Mastering Studio: Tema Mastering. The Portuguese João Rodrigues started his alias Temudo in 2014, after a period into the Drum and Bass scene. The Drum and Bass influence can be heard not only on the detailed sound design and low end focus of his music, but also on the energetic and eclectic 3 deck sets he has to offer. Over the last years he saw some of his music being widely played, such as “Tough To Say” or “The Beholder” from the EPs “Unnecessary” and “Not The End But a Change”, both released on Soma, or “Jack and Verge” from the collaborative EP with Nørbak “I Will Guide Thy Hand”, released on Modularz. João describes himself as a nerd for audio processing, composing techniques and solving puzzles in the pursuit of the perfect mix. His background in Jazz, a Degree in Sound and a Master Degree in Music and Technology gave him the tools for the unorthodox experiments he takes in the studio. It is fair to say that Temudo is one the Portuguese Techno main characters.

Octo Octa

US DJ and producer (T4T LUV NRG) known for joyful, breakbeat-heavy, and emotionally raw house and rave sets.

Parallelle

Petar Dundov

Polygonia

Polygonia is a multidisciplinary music and art project by Munich-based artist Lindsey Wang. Drawing from a background in acoustic instruments and a strong interest in cultural diversity, she creates colourful electronic music enriched with complex sound design and intricate yet compelling rhythms. Her work is defined by a dynamic fusion of genres, resulting in a distinctive sound that moves beyond fixed categorisation. Elements of techno, bass music, breakbeat, house, electro, grey area, IDM and beyond intertwine throughout her productions. This genre-fluid approach is evident in releases such as her album Dream Horizons (2025) on Dekmantel and the Otro Mundo EP (2023) on Bambe, while nature continues to serve as a recurring source of inspiration. In both DJ and live sets, Polygonia explores a wide emotional spectrum, adapting her performances to time and atmosphere. Since 2023, She is holding a residency at Munich’s BLITZ club. Beyond her solo work, she co-founded the IO collective and label in 2018 and launched her own label QEONE in 2022. In 2021, she formed the electric jazz trio Lyder and continues to explore the intersection of electronic and jazz through her collaboration with drummer Simon Popp. In 2025, she also co-founded the audio software company DSP Dealer.

Rene Wise

UK techno producer known for deeply hypnotic, rolling, and highly functional groove-focused techno.

Rødhåd

Berlin DJ and producer and Dystopian label co-founder, known for dark, relentless, and powerful techno.

Sandrien

Dutch DJ known for dark, driving techno, formerly associated with Trouw and Reaktor.

Svreca

This young Madrid-born DJ combines the coolest and most sophisticated electronica with the most abstract and complex techno, and sometimes his experimentation leads him towards the most unusual textures and rhythms for the dancefloor.

Sweely

One of the most creative and eclectic French producers of the new generation, effortlessly navigating between house, minimal and electro.

Tensal

Tobias.

In the case of Tobias Freund, all the answers are there, yet they will most probably not apply to anybody but him. Sure, it might help to gather encyclopedic knowledge through the years about music ranging from Post Punk to Stockhausen and all points in between (and much beyond), but if you are not able to shape that into a personal artistic vision, it is very likely that your potential audience might prefer the artists your very knowledge consists of. In the works of Tobias Freund, inspirations are more to be suspected than to be pinned down. You feel they must be there. They just have to, if only for lack of better explanations. Still, his works are so original and individual that they have become a part of said knowledge themselves. Nobody else sounds like him, they just try to. He owns his sound. Certainly, it might help if you know what you are doing in terms of creating music. Tobias Freund’s process of learning what you are doing stretches back to 1980. Since then, he worked as engineer in the high-end studio of German producer legend Frank Farian for many years, getting to know everything on the mixing desk you could tweak. And he gathered more analogue hardware than others have plugins installed, and got to know it as well. And when he felt he was ready to become an artist himself, he knew exactly what to do with the ideas he had in mind, and thus his music made an impact right from the very start. Transferring his overground work into underground output, his aliases since the early nineties read like an inventory of German electronic music: Metazone, Zoon, Phobia, and especially Pink Elln. Then he put the full stop behind his first name and started releasing tracks that refined the live approach to his broad variety of music between Acid, Ambient and Techno to reduced but jacking grooves that displayed as much attention to detail as to floor impact and became an integral part of the defining sounds emanating from Germany to rule the clubs worldwide since the turn of the millennium. And it might help as well to extend your abilities to the work with other artists. Tobias Freund already started this as part of the electronic cassette circuit in the 80’s in groups like Vo Ese or Hypnobeat, but a decade later his much loved group Sieg Über Die Sonne (with Martin Schopf aka Dandy Jack) graced the clubs with twisted and multi-faceted Techno Pop, and when it went on hiatus two decades later the project NSI. (with Max Loderbauer) and the Non Standard Productions imprint were initiated, to quickly become an institution for groundbreaking explorations in freeform electronic experimentalism. And there is Odd Machine, a joint venture with Ricardo Villalobos and Uwe Schmidt (aka Atom™) in particular, with whom he also forms a live and recording act that puts the weight of their experience into according action, Atom™ & Tobias. His latest collaboration is with his wife Valentina Berthelon named Recent Arts, an audiovisual project that explores the performance of audio and video in real time. He produced and remixed international stalwarts like Efdemin, Ellen Allien, Los Updates, Delano Smith, Margaret Dygas or Aérea Negrot, on seminal labels like Sähkö, Playhouse, Ongaku, Cadenza, Perlon, Logistic, Wagon Repair, Mule Musiq, and, of course, Ostgut Ton. And this is just an excerpt. With Tobias Freund a lot of things fall into place. He knows sound from the inside out, thus he is able to develop his own as well as lend his expertise to others. And even if the studio might be his favourite instrument, he knows so much about any hardware to produce electronic music that he can push the music forward any way he wants to. There is no need to divide his works into avant-garde or club contexts, because he effortlessly merges his whole spectrum into a performance that is all him, transforming the complex textures and gripping rhythms that make his music so fascinating into experiences where listening and dancing are one, and a whole life of music leads to ever new innovations. As it happens. On the spot. Tobias Freund may be non-standard, but he sure set many.

Traumer

French producer known for driving tech-house and techno on labels including Cocoon and his own Redimension.

Viken Arman

.VRIL

Wata Igarashi

Japanese techno producer known for long, hypnotic, and deeply psychedelic techno.

Yamour

For booking inquiries please contact: ilyas@minor-am.com

alko

Jess (2)

Benjamin Damage

Calabasa

Caleb Jackson

Dee Diggs

Dee Diggs is a DJ, music producer, and creative multi-hyphenate based in Brooklyn, NY. She is unapologetically black, queer, and a lifelong student of the tenets of House Music. Every single set by this connoisseur feels like a celebration – a celebration of club culture, of queerness, of community, of house and techno, and of house and techno's Black and Queer American innovators. Her energetic, yet deep approach to DJing has seen this Boston to Brooklyn transplant first garnering attention in the queer party scene of NYC and now lighting up dancefloors all over the world with regular European and international tours. Her aim has always been to contribute & sustain more spaces where marginalized groups are valued and thanked by name for their contributions to humanity. Thank the ORIGINAL Black innovators of House & Techno! Thank you, Disco and Ballroom Queens & Queers and Club Kids alike for the theatrics & fanfare of nightlife as we know it! There are homages to these origins alluded to in all things 'Dee Diggs', from the aesthetics to the sharing of the referential and varied tracks that fill her most noteworthy mixes, to her own original music! She’s known for releasing standout mixes for the likes of Daisychain, Honcho, and Dekmantel over the past couple of years. Her musical adventures spanning all possible genres, the common denominator here is Dee Diggs’ unrivaled taste. Her sound cuts an arch through dance music’s past and present to convey an interesting melding of Dee’s signature sounds: lyrical storied tracks, sensual club edits, soulful realness, sneaky grooves, passionate thumpers, and nostalgic endings. Her eponymous party, House of Diggs debuted in February 2020 to stir and settle the hearts of all the lovers of house, funk, soul, disco, and R&B in Brooklyn, before the COVID-19 pandemic and subsequent club closings curtailed that momentum for 1.5 years. However, 2021, found her making strides again when she resumed curating House of Diggs as a semi-regular event series at Jupiter Disco, a rotary-focused intimate dance floor in Bushwick before her touring DJ schedule ramped up intensely. She currently holds and curates a seasonal DJ residency at a hi-fi nightclub in Gowanus, BK named Public Records. House of Diggs makes an appearance yearly around PRIDE to take over all 3 rooms of Public Records with Queer Imagination and Sonic Pleasure! Diggs' steady rise continues as she steps in to headline many club and festival lineups in 2023 and beyond. The east coast darling bares her soul on these decks — when you hear her, you feel her, and there is no mistaking the beauty and grit of this sound and this feeling!

EVGHENIIA

Mimi Love

Somewhere between stardust and strobe lights — inviting dancers to close their eyes, open their hearts, and get lost in music. With three decades of rave culture and a decade behind the decks, Mimi Love takes her audience on an electro-nomadic journey. Her sound is shaped by the world around her, shifting from groovy tunes to grounding house — always with deep feeling and a sincere vision. Her ability to weave different genres into a captivating, hypnotic musical experience is what makes her unique. Mimi Love plays house music for dancers who love to dance and lovers who love to love. Her journey began at the legendary Bar25 in Berlin, where she spun dreamy downbeat tracks — until the "four-on-the-floor" sound stole her heart. With this newfound passion, Mimi Love launched into a new dimension. Today, she tours Europe, the Americas, and the Pacific, while her roots remain firmly planted in Berlin. From Katerblau to her ties with the Bachstelzen Collective and unforgettable sets at festivals like Garbicz and Fusion, Mimi Love consistently brings her “Love Sound” to the crowd. Mimi Love is more than music — it’s an experience. Her sets are a cocktail of exotic sounds, sprinkled with disco stardust. Even in her early years — adding stilt-walking magic and hands-on carpentry to Berlin’s hedonistic scene — she infused everything with wild spirit and elegant charm. Today, she radiates her inner light, blending influences into something uniquely her own. Genres are just boxes — Mimi Love plays moods.

Franca

Heimlich Knüller

Heimlich Knüller ist einer der wenigen Djs im Berliner Nachtclubdickicht, der seit Jahren eine hochqualitative Konstante darstellt. Sein Ruf eilt ihm als Großmeister der Festivals, unermüdlichen Schatzsucher & Perlentaucher, Connaisseur der Musik, Fürst der Trackauswahl, Sonnentänzer und Herold der Fröhlichkeit voraus: Ob als Resident im Kater Blau, Sisyphos, Salon zur Wilden Renate, Rummels Bucht und Ritter Butzke, oder auf Festivals wie Fusion, Melt! und Garbicz. Seine ausschweifenden Sets kann man nur mit den Worten totale Erleuchtung beschreiben und jeder, der ihn noch nicht gehört hat, dürfte etwas entscheidendes im Leben verpasst haben. Musik fürs Herz, für die Beine, für den Kopf. Nebenbei ist er einer der einhundert schönsten DJs überhaupt, festes Mitglied bei den Bachstelzen, Freudentaumel und seit kurzem nach intensiver gegenseitiger Beschnupperei auch Feines Tier Rudelmitglied. Booking-Anfragen an: booking@feinestier.de

Justin Shaffer

He plays elegant, groove-driven, dance music that inspires movement and is a deep lover of the dance floor and all it represents. Born and raised in New York City, he now calls Berlin home. Prior chapters in Seattle and Bretagne, and a thread that still runs through San Francisco. His influences include the bittersweet tail of the pre-Giuliani NYC club scene, the Detroit/Berlin axis, and the relationship between contemporary classical and electronic music. He is also a sailor, photographer, and audio engineer.

Kotoe

As an actress and ten years of experience with stages and movie sets, the narrative is inevitable in her sets. The passion for both, acting and music, dedicated her to musical theatre for years. Her arrival in Berlin then made her fell in love with electronic music and to get involved and active in several collectives.

Ksenyeah

Mazuko

Nacho Isa

Natalie Robinson

Natalie Robinson is a Berlin-based DJ with a deep passion for house music and an instinctive ability to read the room. Her sets move between soulful, classic, garage, and underground house music with subtle tribal influences, creating flowing journeys that balance energy, rhythm, and atmosphere on the dance floor. Known for her carefully curated, hard-to-find records, Natalie brings musical depth and precision to every performance. Drawing from a broad range of underground dance music influences, her selections honor the foundations of house music while maintaining a contemporary feel. Her performances are immersive and intentional, shaped by musical storytelling and a close connection with the crowd. For Natalie, house music is more than a genre — it’s a shared language rooted in community, freedom, and collective experience. Each set invites movement, connection, and presence on the dance floor.

Tibi Dabo

Ukãi Ndame

Her southern African heritage is an important part of her identity, therefore her focus on Afro Electronic Sounds such as Afro House, Afro Tech, Gqom and Kuduro are an obvious choice within her DJing career. Her passion for the art of music began at a very young age, deeply influenced by her environment. Ukai calls herself an artist, because besides being a Djane she doesn’t let anything stop her from being creative, pushing her boundaries and doing what she wants. Fashion is her other passion, which she combines with her music, by djing live at her self organised Pop-Up Store events. She likes being her authentic self and does so unapologetically. When Ukai started her DJing career, the Afrotech sound was not so common in Germany. In 2012 the event series “The Afrohouse Experience” by Freak de l’Afrique was the steppingstone that finally gave her a platform to play. Ever since, she has used every chance and possibility to perform. In 2018 Ukai broadened her area of expertise by becoming a producer. In 2021, she released her first single “Keine Zeit”, which means “No Time” and is available on all streaming platforms. This has been an exciting milestone in Ukai’s career. The single reflects the way she is in her life. The circumstances and effects of the Co-Vid 19 pandemic led her to realize that life is too short to wait for the perfect time, because every moment is the perfect time to show the world your talent. Today, Ukai has played in various parts of Europe, as well as many African countries such, Kenya, Mozambique, Madagascar, Senegal and finally in her home base, Angola.

Walter Griot

Having root stems in Senegal, and touring experience all over his other native Germany he developed an innate sense of moving the crowds through his innovative take on African inspired House beats. Walter Griot grew up in 80s Berlin in a rather progressive Senegalese Griot family (Griot = Traditional West African drummer). He was therefore from an early age exposed to various African percussion instruments like the Djembe & Sabar drums, the Kora and the Balafon. Moreover, with a father listed as a resident DJ in the 80s cult club “Dschungel”, electronic beats were also common sounds played in the household. These sounds together with various other musical elements from Africa and the African diaspora are the foundation of his production and DJ sets. In 2013 he started his first parties in Berlin strictly dedicated to African House music and was therefore one of the very first DJs who brought Afro House music to the Berlin nightlife scene. His knowledge of the new emerging sound quickly made rounds and he was more and more invited to play at events and festivals to various cities throughout Europe and later also Africa. In 2017 he joined the RISE crew together with Hyenah, Floyd Lavine, Dede, Minco and Jamiie playing now monthly at Watergate and at RISE showcases around the world.

Amulador

Audio Units

CONCEPTUAL

DANA NADA

DANDAN

Dani Savant

Decoder

Raised far from the gravitational pull of dance music hubs, Dallas-born Decoder developed his craft outside traditional DJ circuits, shaping a singular voice defined by independence that remains central to his sound today. First opening Fruity Loops at the age of ten, Decoder's relationship with electronic music began free from expectation or institutional pressure. His early productions were guided as much by video game soundtracks, synth-pop and rhythm as by techno itself, resulting in music that is light and inquisitive. That playfulness has endured. Over time, his productions have evolved, with a distinctive sci-fi-feeling that's grounded in the techno's founding principles. Drum-led, full-bodied and often carrying a quiet melancholia, his discography draws a clear lineage from Detroit techno's futurist restraint and experimental traditions, all the while still resisting easy categorisation. Influences range from the microtonal explorations of Aleksi Perälä to the hypnotic patience associated with Perlon-era minimalism and Ricardo Villalobos, all filtered through an instinctive sense of play. Early support from Richie Hawtin and Jeff Mills affirmed his commitment to this direction, recognition many artists work years to achieve. In the DJ booth, Decoder treats performance as a direct extension of the studio. Sets are often built largely from unreleased material, functioning closer to live testing grounds than traditional DJ performances—ideas are trialled, stripped back and reshaped in real time with close attention to the room. After formative experiences at warehouse parties and renegade events across Texas, he began touring internationally while still in his teens, logging sets at the likes of De School, FOLD and Watergate. 2025 marked a significant turning point, with an acclaimed set at Waking Life and his debut at Berghain. Alongside releasing on established labels, Decoder runs two imprints: Codec, a community-focused platform for collaborative projects, and TOCA, a more purist, physical-only label emphasising longevity and restraint. His forthcoming album Prakasa, released on Planet X, represents several years of studio development and reflects his continued interest in cohesion across time, genre and form. Now operating internationally, Decoder represents a measured reinvention of techno, one that looks forward without severing ties to the past. Retaining the independence forged in Dallas warehouses and DIY parties, he remains an artist shaped not by trends, but by curiosity, patience and a disciplined belief in the power of simplicity.

Denise Rabe

German DJ and producer known for dark, driving techno.

Feral

Hypnotic Black Magic

Hypnotic Black Magic is a Berlin-based DJ inspired by dark/deep/hypnotic techno, atmospheric ambient and ritualistic drums. Always inspired by nostalgic and trippy electronic sounds since their early teenagehood, they have now developed their music taste around the niche subgenre hypnotic techno. Collecting tracks with a preference for powerful rhythmics, deep baselines, loopy atmospheric pads, epic themes or dark atmospheres, HBM’s construct their sets to guide the audience through a particular musical journey - captivating their minds for an introspective travel through human's deepest obscure thoughts, meditative states and sensual expressions. Beginning to explore outdoor free parties in south of France at the age of 16, before moving to Berlin at 18, HBM has always been fascinated by this particular subculture. Absorbed by its statement of freedom, its DIY concept and the supportive community around, they decided to start their own event series to help the artists they like to find a space to express themselves. Since 2018, they are organising events through Art Bei Ton and Ambient Sleepers, featuring hypnotic techno/ambient music together with visual arts. Their aims is to promote diverse international artists within gender-balanced line ups, focusing of offering safe space for flinta* and queer artists to perform. Based in Berlin, but also traveling around, HBM had the chance to play at some venues like Griessmühle and ://about blank in Berlin, VENT in Tokyo, Gare in Porto, Vurt. in Seoul, Ciało in Wroclaw, Monument Festival in Norway and many other cities such as Medellin, Tbilisi, Lisbon, Paris, Amsterdam, Bangkok, Brussels, Istanbul or Athens. Played alongside: Dasha Rush, Electric Indigo, Claudio PRC, Luigi Tozzi, Neel, Blazej Malinowski, Mary Yuzovskaya, Aleja Sanchez, Joachim Spieth, Justine Perry and many more.

Joton

Kojiro

Konstantin

Linear System (CR)

MARRØN

MARRØN is always trying to exceed the limits of himself and the crowd, with his fast but extremely rhythmic sound driven by his roots. Highly inspired by the powerful and strong-willed Marrons who freed themselves from slavery to live freely in the primeval forest of Surinam. Starting his musical evolution with Afro Deep, characterized by its African beats and used these elements to connect with techno music. The freedom and diversity of techno persuaded him to really dig into the underground scene and create a name of his own. This sound contains African groove and a powerful but atmospheric techno sound with which he aims to hypnotize the crowd to stay on the dancefloor for hours.

Mimi

OCCA

Olivia Mendez

Olivia is a record proxenete, dealing grooves across territories her unique sound can reach. Strongly influenced by the sounds of Senegalese drums as a child, both as a percussionist and dancer, she eventually fell in love with the post modern aesthetics embedded in Detroit’s industrial landscapes. From Brooklyn to Kiev, she has been queering consciousness through her roaring, pulsing, sonorous soundscapes. Entangled in the UK underground for 5 mad years, Breakbeat, IDM, Experimental, DnB, Dub and Techno were some of the defining genres she explored as an artist. As a passionate vinyl archaeologist she keeps roaming record shops to excavate forgotten pieces that she cross-pollinates with the avant-garde, aiming to keep the magic, encoded in music, alive. Her background as a France and UK based music journalist, artist and event promoter imbues her DJ sets with an eclectic range, playfully leading us through deep, steady minimalistic journeys. She is also the founder of the FLINTA collective KONVENT, intending to create positive spaces to reinvestigate and elevate the discourse on contemporary feminism, through site-specific music and art interventions, where she smashes the patriarchy one beat at the time.

Serenne

Sunju Hargun

Valentin Ginies

His passion and extensive music collection can be felt in the DJ booth, blending deep, rhythmic, and trippy techno with organic textures, psychedelic elements which creates mesmerizing ritualistic Techno landscapes. Known for his ability to balance sensitive emotions with energetic soundscapes, Valentin transforms dancefl oors into spaces of psychedelic & experimental exploration. He has played at renowned venues such as VENT in Tokyo, ://about blank in Berlin, Tango in Asuncion, and Otsukimi Festival in Japan. Over the past decade, his music has resonated globally, with performances in Germany, France, Italy, Spain, Lithuania, Czech Republic, Romania, US, Canada, Mexico, Paraguay, Colombia, Vietnam, China, Hong Kong, Japan and beyond. Valentin Ginies is a passionate and multifaceted artist based in Berlin, whose creative journey is deeply rooted in a lifelong dedication to music. A journey which has seen him play piano and drums before switching to a full hardware setup & taking to the decks at a young age. Valentin is the founder of 11001 Records, a Berlin-based record label dedicated to techno, ambient, experimental and other forms of abstract visions. He’s also released an album on Bahn Records and releases on Circular Limited and Node Recordings. He’s also the co-founder of the Teufelsberg Domecast, an ambient experimental podcast & release series with a unique sound installation focusing on live performances played in the Dots Gallery and sent to the dome’s natural reverb acoustic at the top of the main building. This project has hosted artists like Dasha Rush, Tobias., Max Loderbauer, Robert Henke, and Hoshiko Yamane, and collaborations with Berlin's UdK. Valentin is also the founder of Third Eye Festival, a psychedelic techno festival near Berlin, which has hosted artists such as Dasha Rush, Rrose, Wata Igarashi, Tobias., and DJ Maria. In addition, he curates ORBIT, a Berlin party that showcases the deeper side of techno, featuring names like Marco Shuttle, Denise Rabe, and YSK. These gatherings have organically connected a like minded community for the more psychedelic side of Techno in Berlin for those who share a passion for innovative soundscapes and artistic exploration. Keep an ear out for everything coming in the bright future.

DJ Yazi

DJ Yazi has been active since the mid-1990s, as a member of Tokyo’s notoriously avant-garde hip hop group called Think Tank. The record label Black Smoker Records founded by the group took their experimentalism to a series of club nights called El Nino, and DJ Yazi remains its resident for two decades. Drawing inspiration from across the musical spectrum: the mentality of hip hop, the intensity of dub and jazz, the ferocity of techno and the euphoria of house. As a DJ he moves fluidly across styles, with his sets connected by a strong focus on deep and tripped out grooves. His attention to details, precision and masterful control over the decks clearly show his long time involvement in this art form. He also performs with Haruka as Twin Peaks, an improvisational live/ DJ hybrid act. He currently hosts a regular techno/ industrial themed night called Konvektion at Contact, Tokyo together with Takaaki Itoh. After appearing in a Tokyo satellite event series New Assembly presented by Berlin Atonal in early 2017, he caught the attention of the festival directors, and made his European debut in Berlin playing Herrensauna at Tresor and Berlin Atonal 2017.

YUTA

Act One

Artifex (DE)

Artifex is a rising DJ and producer based in Berlin with a sound that is both raw and transcendent. Her sets move with hypnotic precision, honoring the roots of techno while pushing its boundaries. 
Driven by rhythm and emotion, Artifex crafts immersive experiences focusing on forging a deep journey within her sets. She has made her mark both locally and in international cities playing at renowned clubs such as Tresor Berlin, Rote Sonne and Grelle Forelle. As she continues to evolve as an artist, Artifex remains dedicated to the techno community by curating her own event series, RISE, supporting other FLINTA* artists, being driven by a passion for music and a commitment to her craft.

Hypatia

Ital

Kala

Loom

Outsiders

Penta

Relativ

Stryker

Currently I am the Music and Entertainment Director for Exodos Magazine (www.myexodo.com). I am also working on some productions with long time friend and studio mate Ernst Berlin. The realeases will be available in the beginning of the summer on my own imprint BASE Recordings. Keep a sharp eye maties!!! And speaking of the summer...I will be rocking the beaches, cafes, and nightclubs on the white isle. Three solid months of partying and lounging. Can't wait!!! Me: I'm originally from Poland and have always considered it my home even though I live in Chicago right now. My real name is Voytek and I also Dj under that from time to time. If you want to know anything about me then just ask and I'm always ready to talk with people about music, food, life, and Formula 1 Racing. Music: I started Dj'ing in the 90's sometime. I was in college and a buddy of mine had a couple of synths and drum machines so we started to mess around and we played some live gigs on campus. After I got back to Chicago I plugged myself into the local scene and boom...here we are.