Endzeit: Mike Parker // Convextion (Live) // Lily Ackerman

Founded as a nonprofit platform for techno and experimental electronic music, Endzeit has emerged as one of the most distinctive voices in contemporary American underground culture. Through programs in New York, Detroit and beyond, the collective has cultivated a reputation for events that privilege immersion, sound design and sustained attention. Endzeit debuts at OHM bringing together six artists whose work reflects a particular current within the American underground, defined by a shared approach to synthesis and space.

Arguably the most influential techno producer of the 21st century, Mike Parker remains a singular figure in electronic music. First articulated on his 2001 debut album Dispatches, his approach to synthesis feels as vital today as it did 24 years ago, continuing to shape dancefloors worldwide. Few artists can claim to have invented a genuinely new sonic vocabulary; Parker's work functions almost as a form of musical semiotics, with synthesizers deployed as distinctive signals within contemporary techno language. Recent releases on Samurai Music have expanded this unmistakable syntax into broken rhythms and drum & bass, further reinforcing his status as one of the genre's most enduring innovators.

Joining him is a rare appearance by Convextion (live), the long-running project of Gerard Hanson, whose work has shaped the outer edges of dub techno, electro and ambient music for nearly three decades. Balancing deep, spatial atmospheres with unmistakable machine funk, his productions remain instantly recognizable and remarkably singular.

Emerging from San Francisco’s underground, Lily Ackerman has spent the past decade quietly establishing herself as a respected presence within Berlin techno, with notable appearances at Tresor and Berghain. Alongside Kudeki, Torsion and RMNA, the program presents a constellation of artists united by a shared approach to sound, community, and innovation.